JazzWrap on Jared Gold “Golden Child”…
jazzwrap.blogspot.com
Rolling along in a funkier groove than his previous quartet outing, All Wrapped Up, Jared Gold returns right on time with another soul jazz gem–Golden Child. This time in a trio session with Ed Cherry (guitar) and Quincy Davis (drums). It’s like John Patton, Wes Montgomery and Billy Higgins been have locked in a room with a large chest of soul classics to get th ...Read More
Critical Jazz reviews Spike Wilner “La Tendresse”…
www.criticaljazz.com
Cover art that quickly dispels the tired myth of judging a book by it’s cover, Spike Wilner presents an incredibly intimate and somewhat emotionally charged recording that breaks down the classic piano trio in the most organic of forms. There is a special musical happy place this trio works from with one foot stuck in a more traditional past and the other foot moving for ...Read More
Richard Kamins reviews Jared Gold “Golden Child”…
steptempest.blogspot.com
There’s something about Hammond B-3 organ trios that reminds me of spring and summer, lounging on the back porch with a cool drink. Perhaps, it’s the “burbling brook” sound some players get out of their speakers – whatever it is, the chemical reaction in my brain is quite positive.
For his 5th release on the Posi-Tone label, “Golden Ch ...Read More
Here’s an amazing interview with alto saxophonist Patrick Cornelius….
The Jazz Session #362: Patrick Cornelius
Saxophonist Patrick Cornelius’s latest CD is Maybe Steps (Posi-Tone, 2011). In this interview, Cornelius talks about the new record as a continuation of his previous full-band writing, after a break for his trio record; why it’s important to him to tell stories during his live performances; his time in the artist diploma program at Juilliard; and the ...Read More
Here’s the first review for our new CD “Heads or Tales” by saxophonist Tom Tallitsch…
www.criticaljazz.com
Easily one of the better 4tets you may not be familiar with just yet…Tone, technique and phrasing as a tenor player all catch my ear :30 seconds into “Coming Around” and Tallitsch pulls off the musical hat trick hitting all his marks with precision, finesse and a deceptively intriguing swing that guitarist Dave Allen seems to pick up almost immediately. Roun ...Read More
Mark F Turner on Jared Gold “Golden Child”…
www.allaboutjazz.com
Jazz organist Jared Gold continues to make his presence known, both in name and sonically. Energizing and free yet possessed of a comprehensive knowledge of the Hammond B3 organ, he communicates with the language of giants such as Don Patterson and Chris Foreman of the Deep Blue Organ Trio. It’s been said that “either you have it or you don’t,” and ...Read More
SaxShed review of Jared Gold “Golden Child”…
saxshed.com
Jazz organist Jared Gold just released his CD Golden Childfor Posi-Tone Records on March 27th, 2012. The energetic trio features Gold on organ, guitarist Ed Cherry and Quincy Davis on drums.
“Organist Jared Gold sets his standards high and arrives in style with his latest release “Golden Child.” Serious listeners will be delighted to simply sit back and dig the music wh ...Read More
Brent Black reviews Sean Nowell “Stockholm Swingin’ “…
criticaljazz.com
Great live albums in jazz you can count on one hand. Be sure and save room for Stockholm Swingin’ as Alabama native Sean Nowell and friends take old school and indeed make it new cool with a blistering romp through some straight ahead classics and a few surprises to add some flavor to a jazz foundation that swings like a beast. Nowell and drummer Joe Abba made a stop over ...Read More
Skip Spratt of SaxShed.com reviews Ehud Asherie “Upper West Side”…
saxshed.com
Tenor Saxophonist Harry Allen joins thirty-year-old pianist Ehud Asherie on their newest release Upper West Side on Posi-Tone Records.
The recent release features Asherie’s piano and Allen’s tenor in a traditional jazz duo setting. The two traditionalists compliment each other on a slew of standards such as It Had to be You, Our Love is Here to Stay and Have You Met Miss Jone ...Read More
Brent Black reviews Fowser/Gillece “DuoTone”…
www.criticaljazz.com
In 1958 Stan Getz and Cal Tjader released their Sextet recording originally on the Fantasy label. Leaning towards the West Coast Cool sound with a more bossa influenced swing, Getz and Tjader started a trend that is continued to this day with DuoTone from Ken Fowser and Behan Gillece. With the cool dialed back and the swing kicked up a notch we have ten original tunes tha ...Read More