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JazzTimes reviews Spike Wilner “La Tendresse”…

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jazztimes.com Following the stirring modal opener, Wilner’s original title track which carries a distinct McCoy Tyner influence, the pianist settles into a program of charming old-school ditties performed either solo or with accompaniment by his capably swinging rhythm tandem of bassist Dezron Douglas and drummer Joey Saylor. There’s a giddy solo piano interpretation of Harold Arlen’s “I ...Read More
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September 10th, 2012 at 3:27 pm

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Lucid Culture looks into “La Tendresse”…

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lucidculture.wordpress.com Who Says Club Owners Can’t Play? Most club owners who play music usually suck at it. The reason many of them open a venue is to have a place to play since nobody else will give them a gig. But once in awhile, you find a club owner who not only isn’t an atrocity exhibition, but actually has talent. Case in point: pianist Spike Wilner, impresario of Smalls, the well-l ...Read More
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July 20th, 2012 at 9:39 am

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Spike Wilner gets a look on Midwest Record….

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midwestrecord.com SPIKE WILNER/La Tendresse: First drawn to piano when bitten by the ragtime bug as a teen, piano man Wilner takes his trio on a wild ride through impressionistic to straight ahead jazz, original and cover, putting his own stamp on the whole proceeding. A known quantity to the hard core jazzbo, Wilner is extending his reach here with a feisty but friendly set that isn’t movin ...Read More
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July 20th, 2012 at 9:37 am

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theJazzWord on Spike Wilner “La Tendresse”…

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thejazzword.blogspot.com FRIDAY, JUNE 1, 201 Spike Wilner – La Tendresse 2012 Posi-Tone The opening title track of pianist Spike Wilner’s La Tendressesuggests only hints of affection before the straight-eighth pulse intensifies into a McCoy Tyner-inspired demonstration of intensity, buoyed by drummer Joey Saylor and bassist Dezron Douglas. A schooled musician, comfortable in an expan ...Read More
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June 5th, 2012 at 9:35 am

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Dan Bilawsky reviews Spike Wilner “La Tendresse”…

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www.allaboutjazz.com There are few greater champions of the old and new in jazz than pianist/club owner/musical antiquarian Spike Wilner. His role in resuscitating and running one of the most important night spots for jazz in New York—Smalls Jazz Club—has made him a hero to those who frequent that bastion of musical integrity, but he’s also revered as an ivory tickling keeper-of-the-fl ...Read More
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May 31st, 2012 at 9:23 pm

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Step Tempest reviews Spike Wilner “La Tendresse”…

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steptempest.blogspot.com As the great critic Whitney Balliett once posited, jazz is the “sound of surprise” – in the case of “La Tendresse” the new CD from pianist Spike Wilner(Posi-Tone), the sense of surprise comes from Wilner’s approach to the standards that comprise 2/3rds of the program.  Aided and abetted by Hartford native Dezron Douglas (bass) and J ...Read More
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April 25th, 2012 at 5:59 pm

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Mark Corroto on Spike Wilner “La Tendresse”…

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www.allaboutjazz.com Joy. But having been told that one word reviews aren’t sufficient, how about this: Pianist Spike Wilner’s disc La Tendresse is pure joy. Wilner can probably best be described as an old soul occupying a modernist corpus. His foundations in ragtime and stride piano inform the music heard here, but likeThelonious Monk, he uses the tradition as the architecture for ...Read More
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April 20th, 2012 at 12:36 pm

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A nice write-up for Spike Wilner “La Tendresse”…

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http://ajazzlistenersthoughts.blogspot.com/ Spike Wilner is one busy man. Somehow, in addition running Smalls Jazz Club, developing multiple bookings covering seven nights a week, playing an early set as a soloist or a later set with one of the many fine groups that pass through the club each week, generating new ideas to bring jazz to the audience including on-line streaming from the club, mai ...Read More
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April 14th, 2012 at 8:54 am

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Critical Jazz reviews Spike Wilner “La Tendresse”…

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www.criticaljazz.com Cover art that quickly dispels the tired myth of judging a book by it’s cover, Spike Wilner presents an incredibly intimate and somewhat emotionally charged recording that breaks down the classic piano trio in the most organic of forms. There is a special musical happy place this trio works from with one foot stuck in a more traditional past and the other foot moving for ...Read More
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April 10th, 2012 at 6:15 pm

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